Apr 30, 2010
21 JoJo tracks, 22 Bruno Mars demos and 72 Rock City tracks and more
BlakMusicFirst always have the breaking music and they've blessed the world with albums worth of material By several artist.
70 Rock City Tracks
Ice Cube and Chris Tucker to reunite for "Last Friday"
Fans may be in luck as multi-talented artist Ice Cube mentioned that the possibility of a part four to his infamous Friday films may be in the works. The first Friday, which co-starred comedian Chris Tucker, instantly became a classic after its release in 1995. Two sequels followed soon with Next Friday and Friday After Next, which featured comedian Mike Epps better known as Day-Day in the movie.
While the sequels received a great response from most of the Hip-Hop community, Ice Cube knows that fans really want to see him and Chris Tucker to reunite for any future Friday films.
"I want to. But I don't want to do it without Chris Tucker," he revealed in an interview. "That's what people want. I really want to give people what they want, especially doing it for a fourth time. We can't just go through a movie without giving the people exactly what they want. I've been trying to convince Chris to do it. Just say, 'Yeah,' it's alright...I see Smokey working at a rehab center [laughs]. Craig and Day-Day are probably selling weed by now, get busted, have to go rehab with Smokey, try to convince Smokey to smoke a joint [laughs]. That'd be pretty cool."
Rumors surfaced on the internet back in 2007 that another sequel to the films would be called Last Friday which apparently were untrue.
In related news, fans can see Ice Cube on the big screen at the end of this year in a drama film titled Rampart and also a comedy film titled Lottery Ticket.
Lady Gaga x Cyndi Lauper for TIME Mag 100 most influential people
Pop Legend Cyndi Lauper is someone I've always compared Lady Gaga to, now they're doing M.A.C campaigns together, Lauper talks how she heard of Gaga and her thoughts on the current pop queen.
I first heard the name Lady Gaga through a mutual friend. He couldn’t stop talking about her. Then I heard her music, and I thought, Wow, I love this kid.
An artist’s job is to take a snapshot — be it through words or sound, lyrics or song — that explains what it’s like to be alive at that time. Lady Gaga’s art captures the period we’re in right now. These days, you go to a club and wonder who all these kids are. They don’t seem to have jobs. How can they afford to be here? Her song “Beautiful, Dirty, Rich” explains that scene. It’s about the New York prep-school party kids she grew up with. It’s where she came from. Gaga’s lyrics are incredibly literary. When “Bad Romance” starts, the music grabs your ear immediately. Then she opens with the line “I want your ugly/ I want your disease,” and all of a sudden you’re listening. Most of the stuff on the radio is not very clever, but Gaga presents her ideas in a sophisticated manner. She has an incredible pop sensibility.
People forget how young she is. She is barely 24 — much younger than I was when I became famous. It’s very tough being where she is right now. People are pulling her in all different directions. It’s hard to navigate that. Try to imagine what you were like at her age, if you still can. I can’t wait to see how she grows and what she decides her next act will be. She only has two albums out, but already she is inspiring other artists to go further in their own work.
When I see somebody like Gaga, I sit back in admiration. I’m inspired to pick up the torch again myself. I did an interview with her once, and she showed up with a sculpture on her head. I thought, How awesome. Being around her, I felt like the dust was shaken off of me. I find it very comforting to sit next to somebody and not have to worry that I look like the freak. She isn’t a pop act, she is a performance artist. She herself is the art. She is the sculpture.
Below Lady Gaga talks about Deepak Chopra as an influence to the mag.
Apr 29, 2010
Glee: The Music, The Power of Madonna review
Glee never disappoints when it comes to their covers, and this one may be the best. I've always said Madonna has made one album worth listening to ( 2005's Confessions On The Dancefloor) and honestly this made me attempt to go revisit the Madge "classics" and The Cast of Glee slays. Mainly Amber Riley, the powerhouse vocalist she's always packing runs and adlibs that'll make Jennifer Hudson sound like Rihanna. All in all the ep is worth the buy even if you don't care for Madonna these are nothing like her versions their ginuinely better.
Rating: 5
Higlights:
Vogue
4 minutes
What it feels like for a girl
Vans “Roll Like Joel” Collection
Vans has just dropped the first ever signature collection from Joel Tudor. Based on his nomadic wave-seeking lifestyle, the “Roll Like Joel” collection mimics basics found in thrift shops and surf shacks but also comes with a wet/dry duffel nicknamed the “Joel Pod.”
Supra x Cinco de Drinko preview
Supra previews their latest 413 Edition sneaker. From what we ca see, the “Cinco de Drinko” Skytop II features a combination of white leather and “Mexican blanket” uppers. Stay with us for a full look and watch for these to hit retail on Cinco de Drinko aka Cinco de Mayo aka May 5th.
Eminem - Not Afraid
Eminem's first single off his "Recovery" album (The title "Relapse II" has officially been scrapped).
Bape x G-Shock DW-6900 Summer 2010
Not new in the collaboration game and especially not concerning G-Shock, Bape presents their new DW-6900 for Summer 2010. The watch comes in an all purple colorway this season and is now available at Bape Store.
THROWBACK: Ms. Dynamite "Fall In Love Again" (2005)
Ms. Dynamite - Fall In Love Again
Uploaded by Ms-Dynamite. - See the latest featured music videos.
She's so underrated, this was her best single and her label didn't wanna service this to the states smh. I hate music politics
Drake - Find Your Love(prod. Kanye West)
Thoughts...? I'm not really feeling it but it wasn't made for me lol
Apr 28, 2010
Theophilus London x Va$htie "I Want You" mixtape
“Shortly before we got his third mixtape I WANT YOU, Theophilus London released a DIY promo video for the track “Life Of A Lover”. The record loops lazily to show us a new look: pretty girls dancing with each other at a show, young dudes headnodding, the crush of cameras and hard flash that now follows us everywhere we go, a cut to Theophilus in monochrome riding in a Vespa gang through Chinatown en route to Brooklyn and then back to the dance—a mic cord drifting slowly in and out of the frame and his hand reaching out to bring a girl on stage. That is all and this is it: inspired by Marvin Gaye’s self-imposed European exile and controversial performance of the national anthem at the 1983 NBA All Star game, I WANT YOU is a collection of dark jams that restlessly examines the promise of love beyond lifestyle. Touching on LA electrofunk, UK indie, tropical escapade and obscure afropop you never knew existed, these are stories from the way we live now: missed connections and misunderstandings, video chats and retweets, returns and deliverables. We know today is all black everything but more to the point: this is now noir as we know it. And this is Theophilus London.”
I Want You
Fitted Cupcakes!
Cupcakes! Hanna Jo from Koreana Restaurant in Ottawa baked up a batch of fitted caps for her friend Donald’s birthday. In addition to the Raised by Wolves fitted, our friends at UNDFTD, Mishka, The Hundreds, OBEY, Alife and the MLB are also shown cupcake love. Much respect to Hanna Jo!
Via Rad Collector
Apr 27, 2010
Download: Pac Div "Don't Mention It" mixape
a href="http://usershare.net/2DopeBoyz/gjy5qwwn0rag">Download Here
3.1 Phillip Lim Fall/Winter 2010 Footwear Preview
3.1 Phillip Lim previews a selection of footwear for Fall/Winter 2010. Designs take on a hybrid approach with a number of sneaker silos and animal prints combined with elements of more traditional shoes. Not bad, but we’d say 3.1 Phillip Lim still has a ways to go to before they’re up to par with some of the more successful high-fashion footwear takes
Vans x Crayola Pack Fall 2010
Vans have collaborated with children’s crayon company Crayola to release a lively take on the Sk8-hi, Authentic and Slip-on. All three feature the broken colouring that you’d expect from a kids colouring book. The sneaker all come with a coloring book made by Crayola specifically for Vans. Look out for a release later this year.
I know what my God Sons are getting for christmas.
Esquire: Lady Gaga: The Grandmother of Pop
As her old friend chronicles in this never-before-told tale of her rise, the biggest pop star in the world didn't ask anyone to like her. She told them to. And she has plenty more to say.
Lady Gaga, you have to understand, is not Dee Dee Ramone. She doesn't wait in her tour bus to be propped up onstage to play the same set every night. Around two in the morning on a recent Monday, in a club on the desolate western edge of Manhattan, a wall of hired muscle cleared a path for her through a tangle of bobbing clubgoers. Gaga strode through the parted sea wearing her twin affectations — sunglasses and a wig the color of Marilyn Monroe's hair in the Warhol prints — and when the DJ started playing her music as a kind of call to action, the crowd revved its sweaty, leggy, beautiful engines and took off. Servers brought a bottle of the good booze for Gaga's crew, and the whole scene — the flashing lights, makeup (on the girls and some of the boys), all the cool kids wearing their sunglasses indoors — could have been a Lady Gaga video. But while everyone was shouting about her and around her, Lady Gaga wasn't talking to anyone. If you got close enough, you could see that behind the glasses her eyelids hung a little low. A few hours earlier, she had walked off the stage at the end of her last of four sold-out shows at Radio City Music Hall. Now she looked like the boss who took the team out for drinks after a big project but was preoccupied with tomorrow's presentation.read more at Esquire
Lady Gaga has work to do. She's a manager, and the client she manages is Lady Gaga. She is obsessive, a style she learned from people like her friend the late Alexander McQueen, the fashion designer for whom she was a muse. She spends hours on many days constructing and fine-tuning what designers call mood boards — collages of artwork, fashion inspirations, and drawings meant to direct the stylists and artists (wardrobe, hair, and makeup) who execute her vision of Lady Gaga. A mood board develops into a storyboard, and it all morphs into a live show. The music is just one element of the presentation.
Within an hour at 1Oak, she stepped down from her elevated booth. The men communicated through earpieces, vehicles were readied, and the bodyguard team cleared another passage. A storm of BlackBerry flashes and digital-camera lightning illuminated her her path to the door. Somehow, a sweaty, skinny kid squeezed through the handlers, weeping, and cried, "I love you for being you, Gaga!" She halted the procession, put her lips close to his ear, and said, very softly, "And I love you just for being you." It made the kid sob even harder, and Lady Gaga disappeared into the cold.
The most important thing you should know about Lady Gaga is that she has just started. The four number-one singles on her debut album (five if you count the deluxe version with "Bad Romance"), the sold-out world tour last year at age twenty-three — she doesn't see these as her moment. To her, this is the foundation.
"There is a musical government, who decides what we all get to hear and listen to. And I want to be one of those people." The girl who said that didn't yet have the number-one hits (although she had already written most of them). She was not yet the creative director of the Haus of Gaga, which is what she calls the machine of more than a hundred creative people who work for her. She didn't make that statement in an interview or from the stage. She made it in 2007, when she was a go-go dancer sewing her own outfits and I was her DJ. She wrote it in one of my notebooks.
In those days Stefani Germanotta was what you would call a struggling artist — a go-go dancer who wanted to take over the music world. On Saturdays we would sit on the floor of her bare Lower East Side apartment, drinking wine from pint glasses. I would read drafts of my novel to her while she lay on the floor, head in my lap. Every once in a while we'd take a Springsteen break. (She loves "Thunder Road.") She would use the drafts as blank pages to write notes, workshopping her career plan.
One night, after she had gotten some attention from record companies, she put on a CD of a song she was working on, "Boys Boys Boys." It was only the instrumental part; she hadn't recorded the vocals yet. She started singing over the recording, really belting it out, with perfect posture, her voice filling the apartment. (The song is about going on a date to see the Killers at Madison Square Garden, and it includes a line about going to their after-party, which I had DJ'd at at a bar called Motor City. It later ended up on her first record and became a hit.) We went around the corner to some shithole, and after we had a few drinks and her music hit me again, I told her that even though I had been to the bar a hundred times, I suddenly felt as if I were in a Lady Gaga song — it felt different because of her. And it was true. Her music is about doing, and it's about possibility. It's exciting. You can hear her belief that there's much more to come — sex, love, money, fame, exhibitionism, success. She said back then that she would always write songs, but that her early outpouring was just a training ground that would help her become a music producer. Once she told me that she wanted to be the "grandmother of pop music," bringing up new bands, nurturing their talents, watching them grow.
Back in the summer of 2007, there was a night when she popped out of a cake and sang "Happy Birthday, Mr. President" for my then boss, the owner of Beauty Bar Manhattan. It was fitting, somehow — the Marilyn reference. I'll quote something she said to me one day around that time as directly as I can: "No one in the world knows who I am, but they are going to want to know who I am. My first time ever on TV I want to be on a huge show where I play one song. I'm going to come out onstage in my underwear and show the world that here I am and I don't give a ffffuck what anyone thinks of me."
Gaga was always famous. Before she ever released a record, you could walk into a club or a party with her and skip the line. We'd be browsing in a bookshop and everyone's eyes would wander above the paperback in their hands. She is barely five feet tall and she speaks in a tiny voice, but she knew how to get attention. That many eyes on you, and the kind of strange pressure it morphed into as more people discovered who she was, can chew starlets into pulp. Soon it was as if people expected a hit record out of her before they ever heard her sing. But anyone who paid attention to her self-creation knows that every idea is hers. The difference between Lady Gaga and every other young singer is that most of the others ask the world, "Do you like the way I sing? Will you buy my record and come to my show?" Gaga tells the world, "I am famous. I was famous before even I had heard of me." She didn't dream of fame. She announced it.
Lady Gaga is a student of fame, and the fame she studies most is her own — being famous seems to both amuse and fascinate her. Her songs, especially the ones about fame, can be deceptively simple in structure and yet almost three-dimensional lyrically. "Summerboy" could be about a romantic fling or the transience of stardom.. "Paparazzi" seems to be about fame or the promise of it; beneath that is the story of a girl working on her music to impress a boy, knowing that the harder she works, the more the music will tug her away from him. "I was always the star in my own life. [But] when I met him, he became the star," Gaga once wrote to me of a hard-to-impress guy she used to date. "I wrote the songs to impress him, but the songs will ultimately be the thing that pulls me away."
On Valentine's Day in 2008, she returned to New York from L. A., where she had just finished some recording that would become the song "Just Dance." She and I had a show to do that night, but we pulled over on my Vespa to go costume shopping and drink tea before I dropped her off at her parents' house. She told me how Jimmy Iovine, the head of Interscope Records in Los Angeles, had kept the whole office late to hear the song for the first time as she danced on the boardroom table. We were sitting in an anonymous midtown deli, and right then she got a call from Bert Padell, who had been Madonna's business manager in the nineties. Not only did she, at twenty-one, know exactly who Padell was, but she reminded him of a meeting she'd had with him when she was even younger. ("My mother still has your book of poetry!") He had heard the new demo and wanted to manage her. A month later we were in L. A. to shoot the video for "Just Dance." After I flew home, she called to say, "When I get back to New York, I want to sit down and get dinner with you and just be normal people. Not you being my DJ and me being your singer. I just want to be Brendan and Stefani."
The dinner never happened, because Stefani has not had a day off from being Lady Gaga since. She's living the future she once predicted over cheap red wine — or at least she's living the beginning of that future. Stage One, as she would say. Right now she's on the Lady Gaga Monster Ball Tour — London, Glasgow, Sydney, Osaka, wherever else. She's in charge of an army of creative people — dancers, backup singers, designers, stylists, makeup artists. Her sunglasses give her just an inch to herself, some space to admire, appreciate, and explore without anyone watching her eyes. But just an inch.
Suddenly she is a star. That happens to a lot of people, and then suddenly they aren't stars. But flashes in the pan often disappear because they follow what they think are the rules of becoming famous — or what someone else tells them the rules are. Nobody tells Lady Gaga anything. The same bright girl who popped out of cakes and who created her own way of being famous once helped me understand something important. I was stressing out about how to end my novel, and she stopped me. She grabbed the draft, flipped over the final page, pulled the cap off a Sharpie, and wrote, "No story should ever end in resolution."
GQ: Suspenders: Not Just for Bankers Anymore
Wearing suspenders used to be a practical move. Back in those Bogart days, you'd go about your business with your pants perfectly "suspended," rather than cinched by a belt. Now, like plenty of other midcentury essentials (tie bars, pocket squares, fedoras), suspenders feel in again after being out for so long. Thin clip-ons channel a punk-rock vibe, while wider, button versions deliver more of a neo-preppy message. Either way, keep your outfit simple for a custom—not costume—look, and check out this slideshow for more on spring's must-have piece of gear. —JIM MOORE
Read The Rest of this insightful article at GQ
Apr 26, 2010
Lord Funk - Movement EP
Lord Funk - Movement EP
Producer for Golden Disc - awarded french hip hop band 113, soundtrack creator for artistic collective Kourtrajmé (Romain Gavras, Mathieu Kassowitz, Vincent Cassel, anyone?), official sample dealer for the gotha of house and hip hop (Masters at work, Fatboy Slim, Warren G, Q-Tip, DITC, Dj Premier...), living music encyclopedia.
Is this enough of a CV?
Lord Funk's touch is an irresistible mashup of breakbeat, electro, sweat, funk, free cocktails, disco, 5am hangovers, groove.
His new EP, Movement, out April 26th on La Tebwa, is basically 1986 NYC meets breakdance meets Spike Lee.
Remember the music you used to like?
Remember the music you used to listen to?
Nice.
Just take a look at this: http://www.latebwa.com/lordfunk/
And this: http://www.myspace/seigneurfunk/
Nas, Damian Marley Combine Forces on Album, Tour
By Pat Meschino4/23/10, 11:23 PM EDT
NEW YORK (Billboard) - When rapper Nas and reggae star Damian "Jr. Gong" Marley first collaborated -- on "Road to Zion" from Marley's 2005 album "Welcome to Jamrock" -- the pair knew it was inevitable they would come back for more.
Sure enough, they are preparing to release a full-length rap-reggae collision, "Distant Relatives," on May 18 though Universal Republic. The album is a seamless collaboration -- a world away from some of the forced dancehall/hip-hop couplings previously used by major labels to try and cross over reggae singles to the R&B mainstream.
"Many of those records were made solely from business decisions," says Marley, seated alongside Nas at New York's Quad Studios. "Some of those artists didn't know each other's work until they made the records, whereas I (was) a fan of Nas years before we did 'Road to Zion.'"
Combined, the two also bring some serious sales firepower. "Welcome to Jamrock" peaked at No. 7 on the Billboard 200 and has moved 764,000 units, according to Nielsen SoundScan, while Nas' latest record, 2008's "Untitled," hit No. 1 and has sold 463,000 units.
The record is being introduced by three different tracks:
- "As We Enter," a vibrant blend of Marley's thick Jamaican patois and Nas' New York-accented rhymes, has so far peaked at No. 18 on Billboard's Rap Digital Songs chart and No. 23 on R&B/Hip-Hop Digital Songs, selling 33,000 units;
- the darker "Strong Will Continue" -- which the duo debuted February 5 on BET's "Help for Haiti" telethon -- hit download stores April 13, although it's not being pushed at radio;
- "Land of Promise" was released as an embeddable widget that offers a free download of the track and pushes news updates on "Distant Relatives."
Guests on the album include Lil Wayne on "My Generation," Somalia-born K'naan rapping about his homeland on "Africa Must Wake Up," Marley's older brother Stephen and even the late Dennis Brown, who's sampled on a revamped version of his reggae repatriation anthem "The Promised Land."
The duo is booked on "The Tonight Show With Jay Leno" May 19 and "Jimmy Kimmel Live!" May 24, while the U.S. Distant Relatives tour -- on which both artists will perform separately and together -- kicks off May 21 at the Community Center in Arcata, Calif. European shows begin June 27 at Belgium's Couleur Cafe Festival with pending dates for Africa and the Caribbean.
Artist Spotlight: Enrico Delves
Back in December Enrico followed me on Twitter and hit me up to check out his cover of Gnarls Barkley's hit "Crazy". I was instantly drawn to the way he took such a scary song on made it a very smooth and sensual accoustic jam. He and I briefly chatted on Twitter about our music, and I did my home work he was featured on the prestigious Mobo awards in
2008 after winning a contest and performed a song of his. He recently announced he's releasing a free live ep ( this Friday). Can't wait this guy is genuinely a talented singer.
You can hear some of his work on his myspace at http://www.myspace.com/iamenrico
You can also follow his Twitter @enricodelves
Check out his reindition of "Crazy"
GUNDAMA by Francesco de Molfetta
Today we give you a first look at “GUNDAMA”, certainly one of the best ones from the series. The artist fused Obama with a Gundam character. Once again a very nice idea and execution.
Eric Bailey x adidas “Wood Rich” Centennial Mid follow.
Artist Eric Bailey, known for his work with the likes of DGK, Converse and Nike, has now teamed with adidas on the Centennial Mid. The sneakers features a tonal gray upper with Bailey’s “Wood Rich” artwork across the side panel and tongue as well as on the insole. Available now from Wish.
Apr 25, 2010
"Flesh Tone" official tracklisting
Kelis returns with fifth studio album "Flesh Tone". First single "Acapella" is out now. Release throughout May around the world except North America where it's released July 6th.
Tracklisting..
1. Intro
2. 22nd Century
3. 4th Of July (Fireworks)
4. Home
5. Acapella
6. Scream
7. Emancipation
8. Brave
9. Song For The Baby
Bonus Tracks
Kids
Karefree Amerikans
Alive
*bonus tracks differ between iTunes and physical CD copies
*each song except the Intro, Scream & Song For The Baby contains a segue.
We Remember Lisa 'Left Eye' Lopes
8 years ago today rapper Lisa Lopes died in car crash while on a retreat in Honduras with close friends and hersiblings. Lisa was most known for her stage name "Left Eye" while being a member of one of the best selling girl groups of all time TLC, try were known for incorperating her raps with the smooth r&b vocals on the hottest beats of the 90's. Aside from being in TLC, Left Eye appeared on songs for artist such as, Lil Kim, Mel C, Keith Sweat, Blaque, *NSYNC and many others. She also released a solo album overseas titled "Supernova" which recieved international acclaim. At the time of her death shewas working on a new record with TLC as well as signing with Suge Knight's "Tha Row" record label under her new alias "NINA". Since her passing TLC went on to release their final album "3D" as well her family released an album titled "Eye Legacy". We at thefreshcommittee remember Lisa "Left Eye" Lopes.
Rest In Peace 1971-2002
TLC's Last Performance of "Waterfalls" with Lisa
Gold Spade featured on Peso's Beatery
TORONTO, ON - April 2010 - The third edition of Peso’s Beatery entitled Shef’s Kitchen features an exclusive interview and freestyle performance by independent Hip Hop artist Gold Spade. The project will be available for download April 27th.
The increasingly popular instrumental mixtape series showcases independent Canadian artists as well as snippets of beats produced by C-Sol aka Peso Pesado. Entitled Shef’s Kitchen, the third instalment of the mixtape series also shines a light on the DJ/Engineer/Videographer who goes by the name of Shef, of the popular online Hip Hop show Shef’s Kitchen.
Gaining notority amongst underground Hip Hop fans worldwide, Shef’s Kitchen (shefskitchen.com) showcases the latest and greatest in Hip Hop culture. From the hottest freestyle cyphers to underground videos and world events, Shef’s Kitchen keeps it innovative with exclusive how-to, step-by-step visuals on preparing your favourite dishes. Working as an active contributor with the show, Gold Spade is featured regularily on segments of Shef’s Kitchen.
‘This is Hip Hop for grown folks’ explains Shef. ‘With Shef’s Kitchen we’re targeting an older, more mature and established audience. We’re reaching out to those who grew up and developed with the culture, those who truly understand and appreciate the underground movement. We’re not trying to follow any trends or promote the latest flavour of the month. Instead, we’re presenting these key underground elements with every episode.’
In showcasing the hottest and most innovative independent artists in Canada, C-Sol aka Peso Pesado plans to continue establishing Peso’s Beatery as a point of reference amongst music aficionados worldwide. Peso’s Beatery Volume 3: Shef’s Kitchen will be available for download on April 27th at www.myspace.com/csol. Watch for Gold Spade’s upcoming single release entitled Lacklustre and view the latest episode of Shef’s Kitchen at www.shefskitchen.com.
To view online promos for Peso’s Beatery Volume 3, click on the following links:
Gold Spade Preview Promo
http://www.youtube.com/watch?v=gkW-gCSYpCk
Track 14 of Peso’s Beatery
http://www.youtube.com/watch?v=KdVog-j-0Sc
Symbolik Freestyle
http://www.youtube.com/watch?v=przdT8bj0Zs
For media enquiries please contact:
C-Sol aka Peso Pesado
Hierarchy Entertainment
Producer/Promoter/Publicist
myspace.com/csol
reverbnation.com/csol
416.337.8887
The increasingly popular instrumental mixtape series showcases independent Canadian artists as well as snippets of beats produced by C-Sol aka Peso Pesado. Entitled Shef’s Kitchen, the third instalment of the mixtape series also shines a light on the DJ/Engineer/Videographer who goes by the name of Shef, of the popular online Hip Hop show Shef’s Kitchen.
Gaining notority amongst underground Hip Hop fans worldwide, Shef’s Kitchen (shefskitchen.com) showcases the latest and greatest in Hip Hop culture. From the hottest freestyle cyphers to underground videos and world events, Shef’s Kitchen keeps it innovative with exclusive how-to, step-by-step visuals on preparing your favourite dishes. Working as an active contributor with the show, Gold Spade is featured regularily on segments of Shef’s Kitchen.
‘This is Hip Hop for grown folks’ explains Shef. ‘With Shef’s Kitchen we’re targeting an older, more mature and established audience. We’re reaching out to those who grew up and developed with the culture, those who truly understand and appreciate the underground movement. We’re not trying to follow any trends or promote the latest flavour of the month. Instead, we’re presenting these key underground elements with every episode.’
In showcasing the hottest and most innovative independent artists in Canada, C-Sol aka Peso Pesado plans to continue establishing Peso’s Beatery as a point of reference amongst music aficionados worldwide. Peso’s Beatery Volume 3: Shef’s Kitchen will be available for download on April 27th at www.myspace.com/csol. Watch for Gold Spade’s upcoming single release entitled Lacklustre and view the latest episode of Shef’s Kitchen at www.shefskitchen.com.
To view online promos for Peso’s Beatery Volume 3, click on the following links:
Gold Spade Preview Promo
http://www.youtube.com/watch?v=gkW-gCSYpCk
Track 14 of Peso’s Beatery
http://www.youtube.com/watch?v=KdVog-j-0Sc
Symbolik Freestyle
http://www.youtube.com/watch?v=przdT8bj0Zs
For media enquiries please contact:
C-Sol aka Peso Pesado
Hierarchy Entertainment
Producer/Promoter/Publicist
myspace.com/csol
reverbnation.com/csol
416.337.8887
Apr 24, 2010
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